Studi di Genere. Quaderni di Donne & Ricerca
“Studi di Genere. Quaderni di Donna e Ricerca” is an electronic book series.
The collection promotes the publication of short monographs, which introduce those dissertations which show interesting remarks and in-depth analysis in the field of gender studies. The editorial board has privileged research dissertations for two main reasons. Firstly, the editorial board believes that those who carry out research for the first time need to be encouraged and helped to publish the results of their research. Secondly, the editorial board recognizes that there is the need to promote the entry of new researchers in the field of gender studies.
If you are interested in publishing with CIRSDe, please visit the section “publish with us”.
Introduction: Joëlle Long
"Studi di Genere. Quaderni di Donne & Ricerca" n. 5
The work aims to analyze the current legislation on the transmission of the surname to the children in the Italian legal system, to verify if this rule respects the principle of equality between the parents and the principle of the protection of the child's personal identity.
The rule of automatic transmission of the father's surname was indeed a glaring symbol of discrimination between parents, which reflected a deep-rooted background of inequality between men and women that can still be seen today.
The decision of the Corte Costituzionale n. 286/2016 stated that parents can give their child the surname of the father, followed by the surname of the mother if both are in agreement. Nevertheless, there are issues that a jurisprudential decision, even if crucial for the matter, cannot resolve. In fact, the judgment doesn't solve the question of the accumulation of surnames in future generations, and doesn't decide whether the children of the same family should have the same surname.
After a careful analysis of the issues that currently remained unresolved, hypotheses will be formulated to find solutions that are both respectful of the right of equality between parents and of the personal right of the child to have both branches of his family recognized in his surname. Lastly, the answers obtained from the interviews regarding the matter of the "double surname", in which several Italian municipalities participated, will be examined and will be subject to reflection.
Introduction: Francesca Comunello, Sergio Mauceri, Paola Panarese
"Studi di Genere. Quaderni di Donne & Ricerca" n. 4
This thesis displays an ethnographic research aimed at the exploration of the «politics of masculinity», which represent a phenomenon of «mobilizations and struggles where the meaning of masculine gender is at issue, and, with it, men’s position in gender relations» (Connell, 1996, 205). Given the shortage of academic and public debate, which historically concerns the themes of masculinity, the research focuses on the concept of crisis and its spread. In addition to its contribution to the growth of media interest and to the development of men’s studies in recent years, this notion has fostered the diffusion of the male voice in the shape of specific associations. This thesis takes into account two Italian experiences that are significant for their theoretical contrast about men’s studies. Bounded up with the social constructionism, Maschile in gioco (Rome) is a group that practises self-consciousness and belongs to the network of Maschile Plurale association, whereas Campo maschile (Brescia) is configured as a project in continuity with the Maschi Selvatici association and with its typically «essentialist» positions. From a methodological point of view, the participant observation – a functional technique for the investigation of form and content of the two case studies – is accompanied by the technique of «focused interview». These qualitative techniques are useful for studying experiences of which literature has already highlighted the contrast in terms of discursive repertoires: in the first case they are aimed at the deconstruction of masculinity, in the second at its reconstruction. However, by enhancing the «continuity» between content and form, the research lays particular stress on a common – even though oriented towards opposite directions – work, which involves the two case studies as all-male socialization agencies. In the end, the research emphasizes the recurrence of a model of masculinity close to intimacy – not far from the concept of «caring masculinities» (Elliott, 2015) – which unites the two case studies and is able, perhaps, to challenge the deep-rooted patriarchal system of our society.
Introduction: Alessandra Algostino
"Studi di Genere. Quaderni di Donne & Ricerca" n. 3
The work deals with the existing relationship between prostitute's fundamental rights and all the legal frameworks which are in force in Europe.
Chapter I examines some legal, thorny issues concerning prostitution, such as the disposal of the body, the notion of human dignity, the equality principle, the general clause of good customs, the right to work and to health and. In Chapters II-V these issues are transposed into the analysis of four European States' Constitution and legislations.
The Russian prohibitionism is characterised by the prostitutes' administrative prosecution on the basis of public morality and health.
The Swedish neo-prohibitionism aims at establishing a gender policy, which is grounded on a new social order; as a result, Swedish law subjects clients to sanctions, while considering prostitutes as victims who deserve a special protection.
Italian abolitionism provides for a freedom to prostitute yourself which must be in compliance with the general clause of public morality, while prosecuting all those activities that are ancillary and apt to violate the prostitutes' self-determination; in any case, the legislative aim is to respect and fulfil all the constitutional fundamental rights.
The German regulatory framework regards prostitution as an expression of the occupational freedom provided by the Basic Law, in order to promote the individual's substantial self-determination and to protect prostitutes' fundamental rights.
Finally the work ends with a short consideration on whether there is - or there is not - a legal pattern which is apt to protect all the fundamental rights to whom prostitutes are entitled.
Introduction: Federica Turco
"Studi di Genere. Quaderni di Donne & Ricerca" n. 2
How has the image of the woman changed over time? Can we say that certain "old" stereotypes have lapsed?
In this analysis I’ve reflected about the theme, comparing some modern cinematographic revisitations and the corresponding written texts in the field of the fantastic genre, to understand if and how the female image (and not only) has changed from a century to another (in this case between the 19th and the 21st century).
The research has developed through the semiotic and gender studies, in order to analyze the diversities and the characteristics of the various texts observed (written and audiovisual) and to realize how the idea of feminine is changed and, maybe, evolved, proposing new type of characters (and also a new and complex dialogue with the masculine counterpart).
It emerges, indeed, the necessity to reflect on these stereotypes, on the modalities of development over time and on the difficulty that still today, despite certain changes, remains in thinking them (and thinking differently).
Because, in the end, what does it mean male and female? What makes us who we are?
Flavia Dalila D'Amico
Introduction: Valentina Valentini
"Studi di Genere. Quaderni di Donne & Ricerca" n. 1
My research focuses on the relation between the body and the subject in the field of performing arts (i.e. Dance and theatre). The goal of the research is on the one hand, to disclose how contemporary art practices rethink subjectivity by processing, comparing, and deconstructing its social images. On the other hand, to question the current methodological approach of the performing art theories.
Despite the Identity Studies (Disability Studies, Feminist Studies, Queer Studies ecc) and the artistic practices are questioning the categories of body, subject, genre and race, the theatrical scholars, at least in Europe, are far from the adoption of methodological and linguistic instruments suitable for the interpretation of the artistic and philosophical contemporary scenario.
The reformulation of the theatrical form took place trough decomposition of the whole of a genre into its individual elements. Text, body, lights, object, sounds are each treated as autonomous realities. Once the actor is free from the playing a character, the representation of the subject is entrusted to the body. Consequently, theatrical scholars, from different perspectives, have considered reduced the actor's ability to attest a subject. The main hypothesis of this research is that artistic practices go beyond both stereotypes and available scientific theories, creating further lens for the reading of subjectivity. At the same time these experiences put into question the adoption of uniform and stable categories for the interpretation of the actor's work.